Contents 4/2002
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The families in television advertisements still have a father, a mother,
a daughter and a son, whether it is apartments, cereal, washing machines
or bank loans that are being sold. If ready-made houses or yogurts
had been advertised a hundred years ago, it would also have been necessary
to fit into the picture a grandfather, grandmother, an indefinite number
of unmarried aunts, perhaps orphan cousins and other more distant relations.
In Finland, as in other urbanised western
countries, the family means, according to contemporary concepts, two generations,
parents and children. Emotionally, the family or clan is, of course, still
a broader group of people than those that live under the same roof.
The changes in family structure in Finland
have taken place over a fairly short period. Fresh statistics about the
current situation are surprising. In Helsinki, every third household is
made up of a single person. The explanation I read did not differentiate
reasons for living alone, but the metropolitan area is home to large numbers
of young people who have moved south in search of work. One in three marriages
ends in divorce. As the baby-boomer generation grows older, there are
increasing numbers of divorcees and widows or widowers.
Starting a family itself is by no means
a self-evident matter. According to another study, one in five Finnish
women will remain childless. The average age of first-time mothers has
risen from 25, which is considered ideal, to 28. The youngest married
couples want to continue their youth together. Later, unfinished studies
and uncertainty about employment check the desire to have children. Young
couples are concerned about the future of their children. Families with
one or two children consider societys support insufficient, and
do not want to have more children. Statistically, families would like
to have 2.4 children. In practice, the average number of children is only
1.8. (The fractional children ofthe statistics always make
for odd associations among laymen.)
The family relations of the television soaps
perhaps seem strange and convoluted, but reality is at least as extraordinary.
Second families, my children, your children, our joint children. Our former
husbands, wives.
Coincidence or not, but in this autumns
Finnish fiction the family appears to play a central role. One could,
of course, refer to the classics of antiquity or to, for example, Leo
Tolstoys Anna Karenina and remark that the subject has always
been central. Emotionally, this is indeed true; Oedipus or Antigone can
also live in a brick house or a concrete block of flats. On the other
hand, literature also depicts societal changes that influence the family
from the outside. One comic and gruesome example is Kari Hotakainens
Juoksuhaudantie (Trench Road), a novel about everyday
life in Finland. Anja Snellmans amusing Äiti ja koira
(Mother and the dog) shows that a womans life is not
over in middle age even if her husband leaves her and her children are
already grown up.
In October, Finns were shocked by a bomb
blast in a shopping centre in the metropolitan area in which seven people
were killed and dozens injured. The perpetrator was revealed to be one
of those killed in the explosion, a 19-year-old student of chemistry whose
motives remain unclear. Within a couple of years, serious crimes have
been committed by children or young people in Finland however much
it may still be imagined by many to be some sort of a peaceful haven.
Parents, teachers and decision-makers discuss causes and consequences;
many are perplexed. The family today is a rather closed unit, whether
in the town or the countryside.
Literature is hardly able to teach or to
offer answers. Nevertheless, fiction is able to delineate love and hate,
domination and subordination, tenderness and rage, loneliness and communication,
richness and want, which are concealed within walls, conditions in which
individuals seek their lives and their identities. Fiction can make visible
what remains hidden.
Behind the prose of the statistics lies
this whole spectrum.
Kristina Carlson
Editor-in-Chief

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