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Nironen, Jarmo
Suomalainen Pietari kuvina
[The Finnish St Petersburg illustrated] Helsinki: Suomalaisen Kirjallisuuden
Seura, 2003. 185p., ill.
ISBN 951-746-420-7 € 43, hardback Seppälä,
Anu Jääkukkia keisarinnalle. Alma Pihlin
uskomaton elämä
[Frost flowers for the Empress. Alma Pihl’s fantastic life]
Helsinki: Ajatus, 2003. 191p., ill.
ISBN 951-20-6352-2 € 29,50, hardback Londen,
Magnus & Mård, Anders & Parland, Milena S:t
Petersburg – metropolen bakom hörnet
Helsinki: Söderström & Co., 286p., ill.
ISBN 951-52-2091-2 € 27, paperback
In Finnish: Pietari, metropoli nurkan takana
[St Petersburg, the metropolis round the corner]
Helsinki: Tammi, 2003. 250p., ill.
Translated by Helena Autio-Meloni & Christiane Eriksson
ISBN 951-31-2723-0 € 27, paperback
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The former president of Finland, J.K.
Paasikivi once said in reference to the geopolitical pessimism which
arose during the fraught years immediately after the Second World
War that Finland can do nothing about its geography. He could just
as easily have said: Finland can do nothing about St Petersburg. When
the city was founded 300 years ago, for Finland it automatically became
a magnetic centre point of sorts, around which the political compass
needle often spun in unexpected directions.
Finland’s destiny has long been
tied to St Petersburg. The city was founded on sparsely populated
land plagued by floods and swamps, where Finns and other Finno-Ugric
peoples had once lived – at least, this is how Alexander Pushkin
described the legend of the city’s birth in his poem ‘The
Bronze Horseman’ – and was built largely upon the bones
of Finnish prisoners of war. To protect Russia’s new coastal
metropolis, Finland’s eastern border was moved many times from
the 16th century onwards, first to the bay of Viipuri (Vyborg), then
to the Kymi river and finally as far back as the Gulf of Bothnia on
the west coast, when the whole of Finland was subjected to St Petersburg’s
sphere of interest and at the same time, in 1809, gained unprecedented
autonomy protected by the tsar himself.
Thus Finland’s new
capital city, Helsinki, was built as a front garden for St Petersburg,
its cour d’honneur exuding neoclassical coolness and austerity,
slightly more modern and functional, cleaner and more open than its
model. Alongside its newfound freedom,
there also grew a tension, and all that remained of the promises of
the emperor’s grandfather or great-great uncle was a thin, symbolic
memory, when at the end of the 19th century the process of russification
was due to commence. In Eino Leino’s handsome resistance poem
from February 1899, a choking, poisonous fog smothers the gleaming
image of St Petersburg and finally consumes the statue of the ‘liberator’
Tsar Alexander and his tyrannical division marching across the square.
Several decades later a Finnish science-fiction writer was prepared
to blast the whole of St Petersburg from the face of the earth with
an enormous bomb.
Jarmo Nironen’s book Suomalainen
Pietari kuvina (‘The Finnish St Petersburg in photographs’)
shows a different side of St Petersburg; a cosmopolitan city growing
to encompass ten times the population of Finland, offering skilled,
hard-working or plain lucky Finns – and even simple country
folk from the Karelian Isthmus – a living or sometimes even
a splendid career in the highest echelons of society. The sphere of
influence around St Petersburg was clear from the start. Peasants
went there to sell butter, chopped wood and ruff’s roe, and
then drank what they had earned and sold their horses before they
even left to go home. A long line of generals, academics, officials
in high positions and industrialists is nonetheless testimony to a
rather more prolonged drive towards success in the city.
After
the Russian occupation of Finland in 1808–09, one of the first
Finns to reach high office in St Petersburg was Gustav Mauritz Armfelt.
The close friend of Sweden’s King Gustav III soon become a confidant
of Alexander I. During the century of Finnish autonomy several other
Finns also became close to the Tsar. In many cases, a high-ranking
position in St Petersburg became a very valuable tool in diplomatic
and military services in independent Finland. The most famous example
of this was the 50-year-old lieutenant-general of the Tsar’s
cavalry, Carl Gustav Emil Mannerheim – the future marshal and
president of Finland – who fled the revolution and returned
to Finland to lead the White army during the Civil War. The governor
of the naval base in Kronstadt, Admiral Robert Viren, met with a fate
Mannerheim managed to escape: in 1917 he was executed in Kronstadt’s
Anchor Square.
The road leading women to the top was
far steeper, since there were no places reserved for women in high
society, with the exception of marrying into the upper classes or
the court. Exceptional talent and beauty may have helped on the way;
examples are the beautiful Finnish of€cer’s daughters Emilie
and Aurora Stjernvall, who through their marriages reached the top
of St Petersburg society, Emilie as Mme Musin-Pushkina and Aurora
as the wife of the fabulously rich Pavel Demidov. To this day, portraits
of the women are impressive. Later on, Aurora Karamzin was well known
in both Russia and Finland for her charitable work.
At the time of Aurora Karamzin’s
death in 1902, Edith Södergran began her education at the newly
founded German school; in the decades to come she became one of the
pioneers of Finland–Swedish modernist poetry.
The astounding career of Alma Pihl,
born as the daughter of the director of Moscow’s Fabergé
jewellery workshop, has been recorded in a biography, Anu Seppälä’s
Jääkukkia keisarinnalle (‘Ice flowers for the
Empress’). It is in fact a miniature biography, typographically
expanded to the size of a book, but indeed the career of this wonderful
jewellery designer was also short. It was cut short by the Russian
revolution before she turned thirty. Life as an art teacher in the
industrial town Kuusankoski in Finland could not have been further
removed from the world of her St Petersburg customers. Alma Pihl is
particularly remembered for two Easter eggs she made for the Emperor’s
family – the Winter Egg and the Mosaic Egg – which number
amongst the most exquisite pieces of international jewel handicraft.
Alma Pihl’s story in many ways
exemplifies the significance St Petersburg held for Finland. Once
the revolution had wiped away the thin but affluent cream of society
and closed the borders, bringing a halt to everyday interaction, all
that remained between Finland and St Petersburg was a mutual suspicion.
It is easy to understand why Alma Pihl never told any of her students
about her time in the city, which had by then come to be hated. The
Russian language was another bone of contention in Finland at that
time, so Alma and her husband were forced to speak their home language
in whispers.
The
Bolsheviks held power in St Petersburg, amongst them many Finns who
had fled with the Red army at the end of the Civil War. Nironen’s
book deals with the Finnish perception of St Petersburg up until the
end of the 1930s, when the majority of Finnish communists in Leningrad
and Karelia had been wiped out in Stalin’s process of cleansing.
This rich and colourful epoch has
produced a rather grey and conventionally put together book, reminiscent
of a photograph album. Albeit somewhat brief, the introduction written
in Finnish, English and Russian is an excellent summary of a subject,
which is so often blurred by a political agenda. Finns accounted for
approximately one to three per cent of the population of St Petersburg
– there were lots more Germans – yet the capital of the
Empire was still home to more Finns than any city in Finland except
Helsinki.
Is this all? It is unfortunate that
the 300th anniversary of St Petersburg has not got many more Finnish
historians and writers on the move. For instance, the story of post-war
Leningrad, which became the first destination for mass tourism from
Finland and a favoured place of study, has never been told. S:t
Petersburg – metropolen bakom hörnet (‘St Petersburg,
the metropolis round the corner’) depicts another side to the
city.
The book, written
by three young Finland-Swedish authors with many ties to post-communist
St Petersburg, is a rather romantic, anecdotal work, though it does
provide a good number of addresses and contacts. It is also one of
the first guides to St Petersburg to open the door to finding further
information by listing a variety of interesting websites.
The text is characterised by an unprejudiced
approach, a freshness of ideas and a love of the city, which has become
their second home. It takes the reader to the city’s trendy
nightclubs, on guided tours of a prison, to the gambling clubs of
the nouveau riche, describes terrible memories of the 900-day siege
and famine and the landscape of Dostoyevsky’s Crime and Punishment.
Most impressive are perhaps the chapters dealing with living in St
Petersburg: life in a former luxury house, under the constant beady
eyes of greedy estate agents, now shared between a number of different
families, a description of the time of Stalin’s ‘new Leningrad’
and the arrival of the wealthy middle classes to the former bastion
of party cronies.
The depiction of life
in villas (dachas) on the outskirts of St Petersburg, in formerly
Finnish villages, is particularly charming. Reading this section of
the book, one cannot help thinking that it is in precisely these communities
of equal villa inhabitants, the idyll of shared duty and communal
responsibility, that the future civil society of Russia may first
emerge. Translated by David Hackston
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