EIRA STENBERG


There is a cave in man

There is a cave in man,
it is where he comes from.
He does not know that.
It is not a womb, it is stone,
the place where he returns
to take refuge from woman
who sleeps curled up inside him.
It is where man keeps his weapons,
claws and teeth,
the early image of his sex,
where he goes to look at his dreams,
hunched up like a caterpillar,
chin on knees.

When woman wakes up, man leaps to his feet
and does not know where he is now.
He sees breasts and womb,
the body's icon like a window to heaven
and the creamy swamps of her lap,
the toothless mysterium of thirst
and the mother-of-pearl saw of hunger,
teeth and blood.


To speak of love

To speak of love,
of what one cannot speak -
a blind alley, a mirror
in which someone hangs
upside down from an invisible tree
feet wrapped around a branch
as if wrestling gravity,
mouth open,
no voice.

Or to speak as if
love were a door
to which longing is the key
and behind the door, the tree would blaze
into visibility,
the fetus would straighten its legs and dive
up to the surface,
would speak to you, juggler
who tosses his head from hand to hand
like a die,
would offer you a fresh leaf
after the flood.


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